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Mother02

@ Gabor Dusa

Your Mother4@ Gabor Dusa

Your Mother3@ Gabor Dusa

Yourm Other2@ Gabor Dusa

International

What could be so important that you haven’t got to call me back for three days? What’s the thing that you can’t for five minutes? You just cannot disappear like this! Nobody can disappear in such a way! (categorising snowflakes, feeling uneasy at a dinner party, psychology of the laundry, I’m not stupid, Putting off today’s to&dash;do&dash;list for tomorrow, I’m getting old, ponder on a pencil’s blunting, you should have said it yesterday, listening to his snuffling, what do they think of me, why can’t you just&nbsp; understand it).&nbsp; - Fülöp and Cuhorka are on stage but are not characters. Their personality, presence breaks through all situations, poses and acts. They speak this complex, syncretic movement language with naturalness and naïve amazement, that we – the audience – never think would be fixed choreography&hellip;. There are scenes seemingly borne in nothing, in the tiny, insignificant debris of being. And the transcription of these little nothings, insignificancies, weightless bits into movement will be gripping. The most exciting, enigmatic of all is really the way this movement adventure turning the language of ballet upside down is supplemented by these wildlings: the radical application of profane, not-dancy and sometimes not even so aesthetic movements. Csaba Králl – critic 
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Your Mother at my Door

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Profiles

László Fülöp

Emese Cuhorka