
04. - 07. September 2025
Any Moment
Duration:
65 min
Stage:
Main stage
Price:
165 - 380 kr
- Thu 04. Sep 19:00Sold out 
- Fri 05. Sep 18:00, 19:00Sold out 
- Sat 06. Sep 17:00Sold out 
- Any moment now, not now, but at any moment, something is going to take place, everything will fall to pieces and pieces will fall into place.

Together with a group of nine(!) dancers, choreographer Eivind Seljeseth creates the performance Any Moment - a physical and metaphorical investigation of the relationship between existential loneliness and fundamental recognition, between something shared and something secret, between being alone and being together. With a living and precise dance material at the center, the performance moves between a type of order and a kind of chaos, between individual antics and sudden unity. As in an abstract, somatic magic show.




Stage smoke is used in this performance.
Choreography
Eivind Seljeseth
Dancers
Anton Skaaning Thomsen 
Ian Ancheta
Ingrid Haakstad
Marie Ursin 
Mathias Aas Stoltenberg 
Oda Bjørholm
Orfee Schuijt 
Putli Hellesen
Sebastian Biong
Light designer
Martin Myrvold
Composer
Kim Myhr
Sound technician
Terje Wessel Øverland
Costumes
Ingrid Pettersson
Props makers
Turid Ousland og Helene Sunde.
Robotics
Andreas Holm
Dramaturgical advisor
Igor Dobričić
Photo
Tale Hendnes/Dansens Hus
Co-produced by: Dansens Hus and DansiT
Supported by: Kulturrådet, Fond for lyd og bilde, Fond for utøvende kunstnere, Oslo Kommune
Intervju

Podcast: Eivind Seljeseth
Artikkel

Bak ryggen på koreograf Eivind Seljeseth
Ett tema går igjen når barndomskompisen, kjæresten, kontornaboen og kollegaene heller steinen ut av sekken.
Intervju

Et oppfølgerintervju som bare måtte skje
Seks spørsmål, en dæsj dødsangst og en kjærlighetserklæring fra den premiereklare koreografen Eivind Seljeseth.
Profiles
The trials and tribulations of relationships.
In Object and Despair, Ingun Bjørnsgaard explores human fallibility in close collaboration with dancers Catharina Vehre Gresslien, Edith Strand Askeland, and Ludvig Daae.






