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Vi er nå klare med vårens danseforestillinger og vi vil at alle skal føle seg inkludert og velkommen. Flere forestillinger er tegnspråktolket. I denne videoen kan du som bruker tegnspråk få vite mer om dette tilbudet fra Dansens Hus. &nbsp; Velkommen til Dansens Hus våren 2025! &nbsp;

Mia Habib A song to 2015 Photograph c Yaniv Cohen3

Mia Habib: A song to... 20. – 22. august «A Song To…» samler femti nakne kropper på scenen – protesterende, flyktende, sørgende. Mia Habib utforsker det monumentale i sårbarhet, inspirert av Vigeland-brødrene. En kritisk masse av nakne kropper, bevegelse og spenning som utfordrer og samler. Hva rommer kroppene av liv, død og kjærlighet? Tegnspråktolk er tilgjengelig før forestillingen&nbsp;21.august, og på kunstnersamtalen med Mia Habib etter forestilling.&nbsp;

Mia Habib Produksjoner A Song To2015

Mia Habib Produksjoner A Song To2015 2026 04 15 100233 txod

Norwegian

- It is in the mass scenes that Habib demonstrates her strongest side as a choreographer. When people walk and run in repeated patterns, she draws on their energy in a way that is exciting. She creates a fine balance between large, collective movements and tiny, delicate caresses, juxtaposing the flow of time against momentary encounters.

In a critical engagement with mass protests, concepts of monumental art as a political instrument and research into swarm intelligence, Mia Habib stages the multiplicity of the bodies as a critical mass: representation, overpowering and mass dynamics, but also singularity and isolationIn this scene, the audience is presented with ambivalent mass dynamics and bodies which purposefully refuse singular interpretations, which the choreography draws on. Running and falling, moving in circles and sculptural tableaus, the bodies – which are permanently transforming and taking on new forms which are at turns animalistic, artificial, sacral or object-like – receive new ascriptions of meaning. The nudity performs the supposed naturalness of bodies, and exposes the naked truth of what it means to be human, where the question of whether we are looking at a human, an object or ananimal loses all importance.Another point of reference related to monumentality in A Song To... is the problematic body ideologies of the 1930s and 1940s, which portrayed bodies as invincible. These ideologies have, in various ways, returned to public attention today. A Song To... engages with these bodily imaginaries while simultaneously destabilizing them. Vigeland Park opened in Norway during the German occupation and depicts monumental moments of life such as birth, death and ageing. In A Song To..., Habib asks: What does the monumental look like today? Which bodies are allowed to take up space? And what do they contain—of life, death, fear, and love?Inspired by the Vigeland brothers’ enigmatic dialogue between birth, eros, and death, she asks: How does monumentality emerge in a solitary figure, and how can vulnerable bodies hold vast existential questions?

- When an invisible force draws everyone in, this forms a core that radiates enormous energy, until it breaks apart once more. Habib uses this to show us that a compact mass has an enormous strength, which loses all its power when it breaks up.

A song to...

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Diana Niepce: Hornfuckers 17. og 18. oktober«Hornfuckers» utforsker kropp, makt og motstand med rått, poetisk uttrykk. Normer brytes, identitet og kontroll settes i spill. Fem utøvere beveger seg mellom dans, performance og sirkus, skaper spenning mellom orden og kaos. En intens opplevelse som utfordrer grenser og inviterer til refleksjon. Tegnspråktolk er tilgjengelig før og etter forestilling 17. oktober. I tillegg tilbys det en Introduksjon til&nbsp;Hornfuckers Søndag 18. oktober kl. 16:00 som er tegnspråktolket. Her får du mulighet til å bli kjent med verket og scenerommet, møte utøverne og utforske kostymer, scenografi og andre elementer fra&nbsp;Hornfuckers.&nbsp;

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International

Diana Niepce (PT) is a choreographer, dancer, curator and author. Graduated from the Escola Superior de Dança (Portugal), completed an Erasmus program at Teatterikorkeakoulun in Helsinki, and holds a Master’s degree in Art and Communication from Universidade Nova de Lisboa. She is an associated artist at Espaço do Tempo and has created several works, including Forgotten Fog (2015), Raw a nude (2019), 12 979 Dias (2019), Dueto (2020), T4 (2020), Anda, Diana (SPA Award, 2021), The Other Side of Dance (2022), Enfreakment (2024), Utopia (2024), Norm (2024), and Hornfuckers (2026).As a curator, she has been involved in the Political Bodies cycle (2024, Culturgest) and the Reunião project (2025). She also develops work in training and inclusion within the performing arts, particularly with artists with disabilities, through initiatives such as Fora da Norma (2023) and Norm (2023).As a dancer and performer, she has collaborated with various national and international artists. Her most recent publications include the children’s story Bayadère (CNB), the book Anda, Diana (Sistema Solar), and the short story “Broken and Smelly, Are the Stones.” for the Rota Memorial do Convento.

Hornfuckers

Foto Tale Hendnes 2024 177

Familiedager 28. og 29. november Vi åpner huset for barn fra til12 år og deres voksne med ansiktsmaling, aktiviteter, flere forestillinger og barnevennlig meny. Programmet inkluderer disco for 0–5 år, danserisk høytlesning, og forestillingene SANS og Fløyelshjertet. Lørdag kl. 13:30 blir det danserisk høytlesning av den nye boken Mieko på dansecamp skrevet av Mariko Miyata-Jancey. Lesningen blir tegnspråktolket og passer for barn fra 3-9 år.&nbsp;