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An ironical playful body, caught between sin, transformation, decay and brilliance, using the seven deadly sins on a journey through a requiem to humanity with the third world still on stage and the first world paying to be part of the show. A piece made for a next generation South African performer, full of positive and inquiring notions, but dealing with the destruction we continue to create for the next generation, wondering if it is possible, as South Africans, to colonise Mozart while using the everyday as a vehicle.

Robyn Orlin is born in 1955 in Johannesburg, Orlin studied at the London School of Contemporary Dance (1975–1980) and completed her master’s in fine art at The School of the Art Institute of Chicago (1990–1993). Consistently working on her own work in South Africa since, using different media, she’s been nicknamed “a permanent irritation” and is known for reflecting the difficult and complex realities in her country. The performance is part of <a href="https://en.codadancefest.no">CODA International Dance Festival</a>.

And so you see